THE BIKERIDERS
The open road can be such a freeing experience, one can imagine even more so when part of a motorcycle club both feared and respected around the region. Jeff Nichols' The Bikeriders takes you right into the heart of the Vandals, a club from the 1960s, who lived a life by code even with time running against what their way of life.
Kathy (Jodie Comer), a strong-willed member of the Vandals who is married to a wild, reckless bikerider named Benny (Austin Butler), recounts the Vandals' evolution over the course of a decade, beginning as a local club of outsiders united by good times, rumbling bikes, and respect for their strong, steady leader Johnny (Tom Hardy).
Jeff Nichols soulful writing and directing taps into the brotherhood, respect and love from within the motorcycle club. The story isn't that deep but it doesn't need to be, some films feeling like you can just vibe to them, The Bikeriders having the qualities of a perfect future hangout movie encapsulated by a soundtrack of old school rock music. That's not to say there isn't any substance to this because Nichols explores the nature of men facing the thing they love in life slowly but surely coming to an end.
It's a lost legacy explored through an array of situations the club find themselves in, escalating in danger and aggression the further time goes by. The sound of motorbikes roraring in unison changing from something quite majestic when Kathy first sees them all together to the sound of pending violence later on in the film is a nice touch from Nichols.
The ensemble cast ensure the film isn't let down by its performances, Jodie Comer in particular providing the film with an emotional heartbeat that doesn't get lost in all the machismo. Austin Butler's Benny faces an internal struggle over taking the reins of the club or living out his life with his wife, and Butler excels in portraying this, effortlessly cool in just about everything he does. There was a worry about Tom Hardy's accent for this film however, it's absolutely fine and Hardy manages to capture the nature of a man losing his grip on a world he used to run so well. Look out for entertain supporting roles for Michael Shannon and Norman Reedus as well.
The Bikeriders is Jeff Nichols at his most confident, a filmmaker just vibing with a strong ensemble cast to create something I can happily see myself revisiting a number of times in the future. It's like Nichols mashed both a light-hearted Sons of Anarchy and Goodfellas together for our entertainment.
"The Bikeriders" thrives on its 'old school cool' aesthetic, portraying the 1960s Chicago motorcycle club with a focus on style and sound. Led by Tom Hardy’s Johnny, the group is depicted as family-oriented, albeit misunderstood by society due to the younger generation's misperceptions. Mike Faist's character, Danny, captures the group's evolution through his photography, with Jodie Comer narrating as Kathy, the wife of Benny (Austin Butler). Her perspective offers an external view, though at times, her character feels defined more by her accent than by depth. While the film’s attention to visual and auditory detail is impressive, the narrative sometimes lags, relying heavily on its style. This immersion in biker culture, though, had me admiring the jackets the characters wore, inspiring me to look for similar styles at safyd.com/product/mens-chicago-vandals-johnny-jacket/. Despite its fragmented storytelling, "The Bikeriders" manages to evoke the nostalgic charm of the motorcycle golden age, even if it doesn’t fully sustain attention over its run-time.
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